AR Rahman seemed like a novel scoring the music for Rockstar. We all love him, Sufi color numbers and techno-pop songs, but the album as a listener and fan of Rockstar to go to an interesting set of expectations. Rahman will be any good rock song by Shankar-Ehsaan-Loy rock more comfortable? Of course. Exciting campaign for the film, like grunge rocker Ranbir Chauhan sung by Mohit's voice gravelly from fragments of songs that hooked me and said to the progressive development of a nominal value of Rockstar Sufi roots rock grunge soft Full Sadda Haq. Certainly a lot riding on the music of Rock Star, because the critics are not fans of Rahman last trip to the robot, and Imtiaz Ali to test the waters of a new composer awaited film.
Obviously from the title, expectations are high for the music to create something new in rock 'n' Roll particularly when other composers like Amit Trivedi and Ram Sampath experimented with punk and rock with albums .
We hit the ground running with the lovely addition Phir See Chala, which opens with a harmonious chorus fades in and out while strumming a mandolin in the back. This piece also has the soul by Irshad Kamil eloquent word almost sounds like the Archduchess how Chauhan removed with such verve. The message of the fly and let go of inhibitions can get a snapshot, but the words are so powerful in its imagery and Kamil produced a very dreamy feel to the song. Under the bridge, Veers complete song remix territory, but it sounds bad, but it increases the quality of voice Breezy Chauhan. When the song begins to close, we again heard the hypnotic chorus that opens the track. It's a song that goes full circle and ends up a winner.
The Haunting The main BHI opens catchy "Ya-Ya-Ya" by Mohit Chauhan, but the public, with the choir returned to him. Use the public, and the singer has a powerful voice that gives the song a little background history that it picturisation as well. But the composition is the same with soft, hypnotic rock sound, before with the electric guitar on his back, and a great bass throughout the track. Chauhan voice is fantastic in this chapter because it sounds like improvised solos in the music and song, it sounds true live concert. Towards the end, the audience sings the chorus again Chauhan that works perfectly with the song suggests an impromptu jam session.
There must be a universally popular song that works for commercial and Katiyar Karoun just the song. The catchy chorus of "Tinga Tinga-Ling-Ling-'assure instant popularity, but his fabulous voice Harshdeep Kaur, making the song their sense of value. Kaur has a voice reminiscent Richa Sharma in the form of power but has a harsh tone that sounds as fresh and funny at the same time. orchestration of the song is very successful in integrating sound with Punjabi tumbhi pleasure in the back next to a dholak beats. But basically raise the following Harshdeep Kaur.
If you wait a while Sufi Faaye just a gift! AR Rahman Sufi songs always melodic and surprising at the moment and is no different. Reunification with Javed Ali, Rahman creates another number of devotees Arziyan competitors' Delhi 6 with his power and beautiful composition. The song is the longest on the album, clocking in under 8 minutes, even if everything is okay used to listen to the three singers compete. Javed Ali honey soaked voice and perfect Huskies AR Rahman together, and Mohit Chauhan occasionally chimes, and feel that teachers really teach the new kid on the way with Excel here . The harmonium laborious at the beginning sets the tone for the rest of the instruments and the composition table to give a chorus is a pleasure to work in harmony with it. And it works perfectly, one of the best on the album.
Shehe Mein funny character, is the study of the interludes and the right music producer, Karthik is Mohit. It is intended to get some laughs on the screen, but the track suffers from a too simple to speak and his words. But Mohit Chauhan makes the track to show its opposition to modern singing voice Karthik traditional. Music is better, a little funky keyboard ', but after every line is a music producer in India, as well as tools and, finally, it sounds good. Follow a very innovative, but nothing special.
Haawa Haawa starts arrested accordion gives way to the well in the Middle East, and next to the entry of Hungary. The Spanish guitar sounds so fresh in parallel with the experimental sound Mohit Chauhan is progressing. Chauhan really let go and have fun with different styles of music behind him. Chorus of women Tanvi Shah, Viviane, Shalini and their presence is their unanimous cry and talk at times distracting. However, the composition of the track is great and you are in the mood for a dance. Taking into account all these different influences is seamless and does not sound utterly useless.
We hit the ground running with the lovely addition Phir See Chala, which opens with a harmonious chorus fades in and out while strumming a mandolin in the back. This piece also has the soul by Irshad Kamil eloquent word almost sounds like the Archduchess how Chauhan removed with such verve. The message of the fly and let go of inhibitions can get a snapshot, but the words are so powerful in its imagery and Kamil produced a very dreamy feel to the song. Under the bridge, Veers complete song remix territory, but it sounds bad, but it increases the quality of voice Breezy Chauhan. When the song begins to close, we again heard the hypnotic chorus that opens the track. It's a song that goes full circle and ends up a winner.
The Haunting The main BHI opens catchy "Ya-Ya-Ya" by Mohit Chauhan, but the public, with the choir returned to him. Use the public, and the singer has a powerful voice that gives the song a little background history that it picturisation as well. But the composition is the same with soft, hypnotic rock sound, before with the electric guitar on his back, and a great bass throughout the track. Chauhan voice is fantastic in this chapter because it sounds like improvised solos in the music and song, it sounds true live concert. Towards the end, the audience sings the chorus again Chauhan that works perfectly with the song suggests an impromptu jam session.
There must be a universally popular song that works for commercial and Katiyar Karoun just the song. The catchy chorus of "Tinga Tinga-Ling-Ling-'assure instant popularity, but his fabulous voice Harshdeep Kaur, making the song their sense of value. Kaur has a voice reminiscent Richa Sharma in the form of power but has a harsh tone that sounds as fresh and funny at the same time. orchestration of the song is very successful in integrating sound with Punjabi tumbhi pleasure in the back next to a dholak beats. But basically raise the following Harshdeep Kaur.
If you wait a while Sufi Faaye just a gift! AR Rahman Sufi songs always melodic and surprising at the moment and is no different. Reunification with Javed Ali, Rahman creates another number of devotees Arziyan competitors' Delhi 6 with his power and beautiful composition. The song is the longest on the album, clocking in under 8 minutes, even if everything is okay used to listen to the three singers compete. Javed Ali honey soaked voice and perfect Huskies AR Rahman together, and Mohit Chauhan occasionally chimes, and feel that teachers really teach the new kid on the way with Excel here . The harmonium laborious at the beginning sets the tone for the rest of the instruments and the composition table to give a chorus is a pleasure to work in harmony with it. And it works perfectly, one of the best on the album.
Shehe Mein funny character, is the study of the interludes and the right music producer, Karthik is Mohit. It is intended to get some laughs on the screen, but the track suffers from a too simple to speak and his words. But Mohit Chauhan makes the track to show its opposition to modern singing voice Karthik traditional. Music is better, a little funky keyboard ', but after every line is a music producer in India, as well as tools and, finally, it sounds good. Follow a very innovative, but nothing special.
Haawa Haawa starts arrested accordion gives way to the well in the Middle East, and next to the entry of Hungary. The Spanish guitar sounds so fresh in parallel with the experimental sound Mohit Chauhan is progressing. Chauhan really let go and have fun with different styles of music behind him. Chorus of women Tanvi Shah, Viviane, Shalini and their presence is their unanimous cry and talk at times distracting. However, the composition of the track is great and you are in the mood for a dance. Taking into account all these different influences is seamless and does not sound utterly useless.
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